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Review: Children of Men

C of Men
There’s an empty feeling in the pit of my stomach. I feel like I’ve just been to hell and back, and the aftertaste is less than pleasant. I have seen a graphic depiction of the depravity of mankind, and it’s not pretty.

I just finished watching
Children of Men. I could get into a long synopsis of the film to explain what follows, but you can find that here. Without some background, much of this article won’t make sense. If you haven’t seen the film and don’t want anything spoiled, you should probably stop reading right now.

I loved
Children of Men, but not in a way that is easy to describe. I left the theater feeling awful and it wasn’t an easy picture to watch. Sure, the cinematography was breath taking, with extremely long single-shot takes dominating the film even during spectacular war scenes and car chases. The direction and acting are superb and the special effects, for a movie that is not particularly an “effects film,” work well. But technical excellence is not what makes good films great, and that is not the heart and soul of Children of Men.

At its heart the film is about the human condition, the significance of human life, and the degeneracy of humankind. There are quite a few biblical allusions and, though the film is not “Christian” by any means, it does cause a Christ-follower to reflect quite a bit on the state of the world and what our place is in it.

The main character, Theo, is charged with protecting the first pregnant woman the world has seen in almost 20 years. Her name is Kee, and she is certainly “key” to the survival of the human race. Theo is a Moses character, facing great adversity in order to lead Kee safely to the “promised land,” which is in this case is something called “The Human Project” that will hopefully analyze Kee and her child in order to help the world solve the mystery of its infertility and thus ensure the survival of humanity.

Children of Men paints a picture of the future that isn’t very distant from our present. The world has been overtaken by anarchy. Death is everywhere as people war and kill for no reason. Great Britain is the only standing government and for all of its danger, it is one of the safest places on the planet. There are no doubt allusions to the type of violence and senseless slaughter that is occurring in the Middle East right now, but it has become more widespread. This violence and depravity is displayed from the first sequence in the film until the bitter end.

People cling to life. Though they are in a depressing existence, a world without children, we see people mourn for the dead in almost every scene. They hold dearly to their dogs, cats, sheep and other pets. Even when humanity is at its worse, it longs for something, anything, to love…even if that something is an animal instead of a newborn child.

It is into this dark and dreary world that a child is born. Sound familiar? For all of its faults, this film more clearly and powerfully demonstrates the dark and mutilated world that Christ was born into than any other I’ve seen. Yes, the director portrays a depressing and bleak world, but he must in order for the light and hope that this child brings to shine that much brighter.

Highly recommended; in theaters now.

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